Gallery

Friday, October 31, 2008

Return of the beach huts...


Six colourful beach huts (at least that's what they seem to be) have appeared in front of Boscombe Spa Village during the last week (photo). The original huts were removed during the early stages of construction and relocated east along the seafront near Portman Ravine. Now that the front of the development is finished it remains to be seen if these cabins are a permanant fixture or just a temporary measure.

Nikkor 12-24 f/4 lens. 1/60 second at f/10. ISO 100.

© 2008

Friday, October 24, 2008

Boscombe pier approach sculpture...


Late afternoon, today:
A construction worker brushes sand between the flagstones at the base of the sculpture that has become a feature of a new roundabout on the approach to Boscombe pier, Dorset. Also part of the regeneration scheme, the modern art sculpture, at an all-in cost of £70,000, is made from of a single piece of granite sawn in half and polished, and depicts the rising and setting of the sun and moon. The piece was designed by aclaimed British artist Simon Hitchens.

Nikkor 12-24 f/4 lens. 1/180 second at f/11. ISO 200.

© 2008

Saturday, October 18, 2008

Eyeworth pond...


Although unsure of this morning's weather forecast I decide to chance it and drive the twenty-odd miles to Eyeworth pond, in the New Forest. It's still dark when I arrive, but this gives me time to check camera settings, take in the mood of the location and to drink coffee. There's a low mist on the water as the dawn begins to break, creating an ethereal setting, but the wildfowl are absent. I make the usual token shots of some distant ducks, but it's becoming evident that the 300mm lens is not going to be enough on its own, so I attach a x1.4 teleconverter to give myself more reach.
It is past eight in the morning before the sun begins to light the surface of the pond, and by now there is more activity from the local wildlife. Oddly, it's the coots that are to the fore today, whilst the ducks keep out of range for anything like frame filling images. Although the trees lining the pond are yet to produce their full autumn display, there is enough colour in their reflection to make the above image of a coot more than just an average photograph.

Nikkor 300mm f/2.8 VR lens with Nikkor x1.4 TC. 1/400 second at f/5.6. ISO 400.

© 2008

Friday, October 03, 2008

The best zoom - your feet..


The colours and smells of autumn are beginning to kick-in, and photographic opportunities abound when the light is good. Today, I take advantage of what threatens to be the best light of the weekend in east Dorset, and decide to travel with minimal equipment. This consists of an SLR body and 50mm standard lens. Being deliberatly restricted by just one focal length compels the photographer to work much harder for images (no zooming with the lens - none of that stuff), but in my opinion produces better results as I am forced to use my feet to find the angles.
This is evident from the image here, where I had to get low with the camera to shoot the grasses against the afternoon sun. Had I had the option of the various focal lengths a zoom lens offers I wouldn't have been working so hard to find pictures, and may well have passed this option by.

Nikkor 50mm f/1.8 lens. 1/2000 second at f/8. -0.33 exposure compensation. ISO 160.

© 2008