It's dark, and there's persistent drizzle as I leave the house at 6:20am and head for the beach. I'm almost 100% certain that there will be no early light to photograph, but the recent early morning sessions have got me motivated to be out and I'm going to shoot, come what may.
There's no hint of colour in the sky as sunrise comes and goes, so I resort to one or two tried-and-trusted spots to see if I can come up with a different perspective; there's always something if I look hard enough.
The light being what it is I make the decision to convert any images I get to monochrome, and it's dear old weather-beaten Groyne #18 that saves the day.
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