Sunday, October 26, 2014
Dusk surfer...
British Summer Time ended yesterday and the clocks were duly put back one hour in the small hours of this morning. This usually means two things: It gets dark an hour earlier and the local pier now closes its gates at 4 pm for the night and will continue to do so for the next six months. Oddly today, though, it remained open well past dusk.
Not that it mattered since I was shooting from the beach at low tide, but I did have to do the job of the local council and turn on all the lights in post processing with Lightroom, since none of them were working on the eastern side. I waited for the surfer to wander into the frame to complete the image.
24-70mm f/2.8 AF-S Nikkor. 1/1000 second at f/8. ISO 400
© 2014
Labels:
Boscombe Pier,
British Summer Time,
Dusk,
Surfer
Location:
Boscombe beach, UK
Eyesore or social comment?...
As controversial as it may be, graffiti does have a certain appeal to me. Some see it as damaging to personal and public property and an eye-sore; some see it as art/social comment, but whatever your view on the subject I almost always find myself pointing a lens at it. I also confess to having no idea as to what any of it means when executed in this form, as here on the side of Martello Tower 3, in Folkestone, Kent.
24-70mm f/2.8 AF-S Nikkor. 1/1000 second at f/8. ISO 200
© 2014
Labels:
Graffiti,
Martello Tower
Location:
Martello tower, Folkestone, Kent, UK
Saturday, October 25, 2014
Two yachts...
An afternoon walk in the gloom turns out unexpectedly sunny. Making the most of the one lens I have with me today I capture two yachts in the English channel, heading west.
50mm f/1.8 AF Nikkor. 1/800 second at f/11. - 1 stop EV compensation. ISO 200
RIP, Jack Bruce
14/5/43 - 25/10/14
© 2014
Labels:
Two yachts
Location:
Boscombe cliffs, Bournemouth, UK
Sunday, October 19, 2014
In the Nic of time...
The idea to visit Wye for some sunset photography very nearly didn't happen as a road that passes the railway station of the same name was closed and we were forced to make a detour of some miles to get back on track. By then Nic and I were seriously pressed for time and it really was a case of jump out of the car when we got there, quickly take a handful of shots before the sun disappeared altogether, and get back in the car again. It all happened so quick that the sheep didn't have time to react.
24-70mm f/2.8 AF-S Nikkor. 1/200 second at f/11. - 1 stop EV compensation. ISO 200
© 2014
Thursday, October 16, 2014
Of distant days...
It's a mild 17º C today, and although the bright start gave way to overcast skies by late morning there were still a good number people taking advantage of the clement weather along the seafront. I came across this chap sitting alone in his beach hut, having fallen asleep whilst reading his book, and possibly dreaming of distant days.
50mm f/1.8 AF Nikkor. 1/800 second at f/4. ISO 320
© 2014
Labels:
Distant days
Location:
Boscombe beach, Dorset, UK
Wednesday, October 15, 2014
Tubular bell...
A cylinder that forms part of a percussive musical instrument on Boscombe pier, Dorset, is the subject of today's photograph. One of 88 individually tuned tubes arranged so that all the player has to do is rhythmically hit each one once from left to right to play the ever-popular British music hall song: I Do Like To Be Beside The Seaside.
I used the lens wide open to create a razor-thin depth of field.
85mm f/1.4 AF Nikkor. 1/1250 second at f/1.4. ISO 200
© 2014
Labels:
Boscombe Pier,
Tubular bells
Location:
Boscombe Pier, United Kingdom
Monday, October 13, 2014
Fast, and wide open...
The rain is light but persistent; the sky leaden, so it is perfect weather for some detail shots of autumn. I'm using my fastest lens - shot wide open - for pictorial effect. There is very little in the image that is sharp as a result, having focused on the tip of the yellow leaf.
85mm f/1.4 AF Nikkor. 1/160 second at f/1.4. + 0.33 EV compensation. ISO 400
© 2014
Labels:
Autumn leaf,
Fast lenses,
Wide open
Location:
Fisherman's Walk, Bournemouth, UK
Sunday, October 12, 2014
For Nic and Tim...
An overcast autumn day and a walk along the beach with the minimal of camera kit, just to see what I could find. The above photograph is dedicated to Nic and Tim (you know who you are): this-blog followers extraordinare (and the one in Manchester who never says a word but I appreciate you all the same). Nic, you get the stick.
50mm f/1.8 AF Nikkor. 1/80 second at f/5.6. ISO 400
© 2014
Location:
Boscombe beach, Dorset, UK
Saturday, October 11, 2014
The last shot decides...
The last shot of the day and the one that appeals to me the most.
24-70mm f/2.8 AF-S Nikkor. 1/500 second at f/5.6. ISO 400
© 2014
Friday, October 10, 2014
Inspirational aerophones...
One way a photographer can get inspired is to use a different lens, and to be honest I was in need of it. Yesterday's shoot has been consigned to the trash, purely because I had repeated myself from the day before. Yes, it is always different no matter how many times I return to the same location, but I felt the images I got didn't work as I had intended so they had to go.
I decided something a bit extreme was in order, so my fisheye lens was pressed into service with the intention of producing some graphic and dynamic pictures, as with these Tembos aerophones, installed as part of the Musical Trail on Boscombe pier, Dorset. They are considered playground instruments and sounds are produced by striking the mouths of the tubes with rubber paddles. This set is tuned CDEGAC.
10.5mm f/2.8 Fisheye Nikkor. 1/2000 second at f/8. - 0.67 EV compensation. ISO 320
© 2014
Labels:
Boscombe Pier,
Musical Trail,
Tembos Aerophone
Location:
Boscombe pier, UK
Wednesday, October 08, 2014
East cliff...
Autumn is starting to get a firm grip as the days grow noticeably shorter, bringing with it rain showers and some pretty stiff breezes, especially along the coast. I love it at this time of year before it gets too cold as the light is often spectacular.
I spend an hour or so on Boscombe pier, watching and waiting as the mood constantly changes: shooting when inspired, ducking behind the windbreak for some respite from the constant wind when not. I choose this image of Bournemouth's East Cliff to sum up the afternoon perfectly.
24-70mm f/2.8 AF-S Nikkor. 1/1250 second at f/8. - 0.67 EV compensation. ISO 400
© 2014
Labels:
Autumn light,
Bournemouth,
East Cliff
Location:
East Cliff, Bournemouth, UK
Monday, October 06, 2014
Kids watering can...
A taste of things to come, no doubt, but the rain that fell today was as worse as I have ever experienced - real monsoon stuff - but a check on the weather forecast told me it would clear by mid afternoon. Although the front did clear as promised, the remnants dragging behind it produced some interesting cloud and light, of which I took full advantage.
A kids watering can had been placed on a promenade bench by some thoughtful person, should its rightful owner come in search to reclaim it, but for the moment I made it the subject of my lens.
12-24mm f/4 AF-S Nikkor. 1/400 second at f/11. ISO 400
© 2014
Labels:
Promenade bench,
Watering can
Location:
Boscombe beach, UK
Saturday, October 04, 2014
It's in the trees...
A chill is now in the air and autumn starts to make its mark, as in this woodland scene shot in a local park, this afternoon. Exposing for the foliage I stopped the lens down considerably to create the starburst effect from the sun.
12-24mm f/4 AF-S Nikkor. 1/80 second at f/14. ISO 320
© 2014
Labels:
Autumn,
Starburst effect
Location:
Fisherman's Walk, Bournemouth, UK
Sunday, September 21, 2014
Paddle steamers and pastel shades...
In stark contrast to yesterday's post I thought a bit of colour would perk up what is technically the last two days of summer. After several unsuccessful days of chasing PS Waverley - the last seagoing paddle steamer in the world - in order to get some good shots, I finally nail one this evening.
Up to now my efforts have been thwarted by cancellations due to poor sailing weather, or the light and location have worked against me. I did try shooting from the same spot for the mid-day sailing from Bournemouth pier today, but the brutal light that came with it produced nothing but a harsh set of pictures. This time the soft pastel tones of the warm evening light and the calm sea delivered the goods.
24-70mm f/2.8 AF-S Nikkor. 1/200 second at f/5.6. ISO 200
© 2014
Labels:
Bournemouth Pier,
Evening Light,
Pastel Shades,
PS Waverley
Location:
Bournemouth, Dorset, UK
Saturday, September 20, 2014
Low key event...
Exposure can affect the mood of a photograph dramatically, reinforcing the fact that there is no such thing as correct exposure when shooting. Although the image appears as a dark and foreboding seascape, it is, in reality, just a dull day on the coast, but to get the most out of the shaft of light bursting through the cloud I under expose the scene by 2 stops to produce a low key result. That, and a bit of Lightroom work.
50mm f/1.8 AF Nikkor. 1/4000 second at f/5.6. - 2 stops EV compensation. ISO 200
© 2014
Labels:
Low key,
Seascape,
Under exposed
Location:
Bournemouth, UK
Monday, September 15, 2014
The air show that won't quit...
The recent Bournemouth Air Festival was due for a visit from the last two remaining airworthy Avro Lancaster bombers in the world, but because of an engine problem on the Canada-based aircraft the display was cancelled. Disappointing at the time, but the Lancaster's successor - the Avro Vulcan - more than made up for it with an extra showing - and I resigned myself not to being able to see these two aircraft fly together.
Until Friday morning of last week, that is, when it was announced on my local BBC online news page that the two Lancasters were arriving that morning at my local airport, and would remain there until Sunday. A real once-in-a-lifetime opportunity, I packed my longest lens and got on my bike. They were using the airport as a base for the weekend appearances, so I would get at least three opportunities to get some photographs.
Although shooting such large aircraft is relatively easy the weekend was not without its problems, and both aircraft were delayed from leaving on the Saturday afternoon by over four hours because of another engine problem with the Canadian plane, albeit a different one than the one that caused it to be grounded two weeks earlier. As a result I stood at the end of the runway for over eight hours, patiently waiting for their eventual departure. The things we go through to get a shot, eh?
All in all it was a great experience to see such old aircraft still flying together, and something unlikely to ever be repeated, despite the mechanical issues that both had, but the sound of four Rolls Royce Merlin engines roaring low, and directly over your head, is quite unforgettable.
Photos taken on 12th, 13th and 14th September.
Top: Thumper III - the UK-based City of Lincoln Lancaster
Second and third: The Canadian Warplane Heritage Museum Vera taxing off of the runway
Bottom: Thumper III - airborne, with Vera rotating in the distance, departing for the last time.
300mm f/2.8 AF-S VR Nikkor with TC-14E converter. Tripod
© 2014
Labels:
Avro Lancasters,
BBMF,
CWHM,
Thumper III,
Vera
Location:
Hurn, Dorset
Wednesday, September 10, 2014
Tuesday, September 09, 2014
Scary, or what?...
I'm not the biggest fan of these creatures, but when you get in close you can see just how elegant nature can be. Taken in my back garden, I had to wait a considerable time before the wind dropped sufficiently to get a sharp, focused image of the garden spider (Creepyus crawlyicus*).
105mm f/2.8D Sigma macro lens. 1/160 second at f/11. ISO 400. Tripod
*Joke
© 2014
Thursday, September 04, 2014
A one trick pony?...
At the recent air show I had a discussion with photographer about the wisdom of buying pro-spec super-telephoto lenses. Such optics are always large, in both size and apertures, and nearly always prime lenses (with one or two exceptions). In other words: they are not zooms. They are also expensive. He went on to suggest that taking into consideration the inconvenience of bulk and weight, they were one-trick ponies; only suitable for pulling in distant objects.
I pointed out that that I have used mine to shoot landscapes and portraits; even the occasional panorama when needs pressed, but there is also the close-up image to be had. I like using lenses for something other than what they were designed for, and today I used mine for just that.
300mm f/2.8 AF-S VR Nikkor with TC-14EII converter. 1/400 second at f/5.6. ISO 200. Tripod.
© 2014
Labels:
Butterfly,
Super-telephoto lens
Location:
Bournemouth, UK
Wednesday, September 03, 2014
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