This kind of light has the habit of removing colour from a scene, so I decide upon a black and white conversion once I have chosen the best shot.
It is shortly after that I take the second shot of a bee on a flower. The mist has almost completely dissipated, but the light is still soft enough to give flat, even tones throughout the frame. Had the sun been shining directly onto the subject - it would have been at that time of day - then deep shadow and high contrast would have lessened the effect. Two very different images shot under similar light within minutes of each other; the first using atmospheric perspective and the second one in close for colour saturation and detail.50mm f/1.8 AF Nikkor.
Top: 1/1500 second at f/4. - 0.33 EV compensation.
Left: 1/3000 second at f/2. - 0.33 EV compensation. ISO 200 for both images
© 2012

2 comments:
Looks like the one I sat on.
Bench, that is, not bee.
It may well have been the very same bench, Nic. Did you see the bee, perchance?
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